January 31, 2017 § Leave a comment
The essence of David Armstrong’s advice to those who would wish to become writers is: “Don’t”.
He was “lucky” enough to be one of the 1 per cent picked from a slush pile and published. Although his first published book was well-received by critics, this was not the start of a meteoric rise to fame and fortune, but of the more plateau-like career of a midlist writer.
The earnings of a midlist writer are probably less than a steady job working in a supermarket. The midlist writer can, without ceremony, be dropped by his publisher. She might never do better than the sales of her first book. He will never be important. No one will be booking him to talk at important literary festivals. She will never see anyone reading her book on the tube. He will remain not very well-off and obscure.
Some readers may consider David Armstrong’s view of the life of the midlist writer to be depressing and negative. But I found it reassuring. On the contrary, it is the stories of unknown writers coming first in their first literary competition and then signing a three-book contract that depress me.
To know that most writers have to work long and hard for little reward is good news to me.
“When Night’s Black Agents was eventually published, the very things that it had (allegedly) been declined for were exactly the same things that reviewers found to single out for praise.”
The ‘lack of pace’ that had made the book ‘unsuitable for today’s market’, metamorphosed in the Daily Telegraph into ‘prose with a slow, dark, rhythm’.
In the Guardian the ‘Midlands setting’, frequently cited as an insurmountable barrier to publication, was now, ‘unique and interesting’.